By Jonathan McNamara
On April 29, Carrie Fisher kicked off the first of six performances of her one-woman tour de force Spy in the House of Me at Theater 4301. Spy,which is roughly taken from her other show Wishful Drinking, is heavy on audience interaction. It begins and ends with candid Q&A sessions during which Fisher will answer anything.
The Hollywood princess was certainly enthusiastic about answering my questions about Spy, her time as a script doctor, and the other projects she's got up her sleeve.

New Times: Walk me through the storyline of Spy in the House of Me
Carrie Fisher: It’s about this girl that was born to a father that owned a hardware store and a mother that was as substitute teacher in the local school . . . It’s not about my parents, but it is about my fantasy parents.
Here’s what I say: If my life wasn’t funny, it would just be true. And that’s unacceptable. One of my 12,000 shrinks told me that I should learn the difference between a problem and an inconvenience. Once I did that, I realized that I’ve had four problems . . . It’s about those four nasty little problems.
NT: How does Spy in the Houst of Me differ from Wishful Drinking?
CF: I’m going to be performing my other show all around the States and other places. What happened here is that they tried to get my show Wishful Drinking to come here. And the producer wanted to charge $50,000 to rent that set. If that had happened, people would have had to pay like $300 a seat. It’s just too much money for most places. So because I couldn’t bring the set and we couldn’t do it in conjunction with that producer, we had to vary it up. It’s a sort of a different slant on the same subject.