Led Zeppelin 2's Bruce Lamont on Playing Robert Plant, Groupies, and Nirvana's Nevermind

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In a "Tangerine" mood.
​Given the nature of the tribute band game, acts usually wow or disgust. There's not much room for gray area. When it comes to the real legends and the emotional attachments fans have to their records, bands like Led Zeppelin, it's go big or go home.

For example, "Achilles Last Stand," one of Zeppelin's most metal moments in my opinion, taught me about machine gun drums. "No Quarter" catapulted me into a 10-year foray of classical piano competition. "Since I've Been Loving You" made me fall in love, and "Black Dog" reminds me of high school summers and hot desert breezes, mingling with sweet acrid smoke from burning papers.

So when I heard Led Zeppelin 2: The Live Experience was coming to The Foundry this Wednesday, I was pretty stoked.

As a working tribute band for almost 12 years, LZ2 has the band's sound down to an artful science. But what stands out about the members is the acharade that is their live performance. Stepping into the roles of Robert Plant (Bruce Lamont), Jimmy Page (Paul Kamp), John Bonham (Ian Lee) and John Paul Jones (Chris Klein), LZ2 have honed their act to represent all the iconic elements from the band's heyday -- not to mention they all resemble their counterparts -- while incorporating some of their own touches along the way to provide a snapshot of Led Zeppelin for a younger generation.

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Reptar on Oblangle Fizz, Y'All

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​Reptar makes it look easy. Y'know, the whole "band" thing. The whole build a fanbase, tour, release albums... all that. But the way that the fast-rising dance-pop band's career has evolved seems so by the book that it seems a little off. After all, didn't the digital revolution mean that everything bands knew about, well, everything had been upended? Altered? Fundamentally shattered? Maybe so, but Reptar is one of the rare acts that's followed a traditional path in its brief two-year lifespan, and one of the rare acts for whom that's worked.

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Slightly Stoopid's Rymo On the Band's New Album, Surfing, and BBQ

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Silverback Management/Slightly Stoopid

The members of Slightly Stoopid have been making music together for more than a decade.

Slightly Stoopid's sound is varied. Its six members wield an array of instruments including congas, harp, trumpet, keyboard and saxophone. They've toured with such legends as the Dave Matthews Band, Sublime (Bradley Nowell helped bring them to the public eye), Snoop Dogg, G. Love & the Special, Sauce and Pepper.

And although they aren't touring to promote a new album (their last was 2008's Slightly Not Stoned Enough to Eat Breakfast Yet Stoopid) fans can expect to hear a handful of new songs when the band comes through Mesa Amphitheatre this Friday.

Drummer Ryan 'RyMo' Moran sat down the Up On The Sun to dig into their record label and upcoming album, his top surfing locations, and the band's favorite post-show activity.

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Hanson on Social Media, Shout It Out and Katy Perry

Categories: Interview
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Jiro Schneider
Hanson has been a household name since 1997 when they made it big with their unforgettable song "MMMBop." You know, the one you could never get out of your head every time you heard it. But the three-brother band has moved on to bigger and better things now, like their chart topping latest album Shout It Out and making a point to give fans a ton of inside access via social media.

We spoke to Taylor Hanson about Shout It Out, charity work, the band's appearance in Katy Perry's latest music video and more.

Don't miss Hanson perform at the Marquee Theatre on Tuesday, September 13. Fans even get to vote on the set list. How's that for a unique concert-going experience?

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Cactus Chainsaw's Dirty Vox on Blood, Sweat and Beers

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​When Cactus Chainsaw's singer said the band's list of influences was possibly a higher number than his criminal record charges, I took it with a grain of salt (courtesy of a cheap tequila shot).

But within the first 20 seconds of listening to their music, I could hear the band's specific influences, from Ministry to Muddy Waters. It's a bit too simplistic to categorize them as bluesy metal -- just ask their fans, who label them everything from Southwestern rock to swamp metal to --wait for it -- desert hillbilly metal. Yes.

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Blues Bucket Tour: Thom Travisano's Blues Pilgramage Leads Him to Phoenix

Categories: Interview

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Thom Travisano loves the blues, and like one of those proverbial Blues Brothers, he's on a mission from God to document the music he loves.

Okay, okay -- Travisano never actually claimed to be on a mission from God when I met with him Sunday afternoon at his short term lease, motel-style apartment in Mesa, but the man has a undeniable zeal for the blues. It's this love for music that inspired him to set on on what he calls his Blues Bucket Tour, a cross-country trip where he hopes to document the current state of the blues.

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Job for a Cowboy's Jonny Davy Talks New EP, Gloom, Touring and the Timeframe for a New Full-Length

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Glendale death metal band Job for a Cowboy released their new EP, Gloom, today, but don't bother looking for it at Zia or Best Buy. The four-song EP is available for download through most online digital outlets, but a mere 2,500 physical copies are being sold exclusively via mail order at indiemerchstore.com.

Clocking in at just more than 15 minutes, the EP continues down the path of brutality JFAC forged with their 2009 full-length, Ruination. Up on the Sun recently e-mailed some questions to JFAC vocalist Jonny Davy. Check out Davy's thoughts on the new EP, the band's recent tour with Between the Buried and Me, their summer tour plans, and the time frame for a new album after the break.
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Marley D. Williams of Rebelution Talks Endless Touring, Stepping Up the Band's Game, and the Summer Festival Circuit

Categories: Interview

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Rebelution
After a concert cancellation on March 30 due to a band member's illness, Rebelution came back to Tempe last week on May 14 to play a make-up show and show off their one-of-a-kind reggae vibes. The four-piece band has got an awful lot of fans here, and their music is practically guaranteed to be heard at any apartment complex that's dominated by college students from ASU.Up On The Sun spoke to Rebelution bassist Marley D. Williams, and oh man, did he have a lot to say.



Everyone can appreciate a talkative bass player, since they seem to be few and far between (except for P-Nut of 311 and a few others). His outgoing personality is just another reason to watch him and his bandmates express themselves through their uplifting music.

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The Love Me Nots' Nicole Laurenne on New Album, New/Old Drummer and Beating Breast Cancer

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Jason Garcia
The Love Me Nots
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If you're looking for an example of the old platitude that "attitude is everything," you could do a lot worse than Love Me Nots vocalist/organist Nicole Laurenne. Less than a year removed from a breast cancer scare that forced the band into a five-month hiatus, Laurenne is back onstage and ready hit the road in support of the band's new album, The Demon and the Devotee.

The album is already available on iTunes and 180 gram vinyl (and on CD in France), but Valley fans will finally be able to cop a good, old-fashioned CD at the band's release show this Saturday night at the Yucca Tap Room. It's the band's fourth album, and like their first three albums, it was recorded by former White Stripes producer Jim Diamond.

The Love Me Nots went on indefinite hiatus soon after Laurenne was diagnosed in July 2010, but Laurenne and her bandmates -- guitarist (and Laurenne's husband) Michael Johnny Walker, bassist Kyle Rose Stokes and drummer Jay Lien -- returned in time for a New Year's Eve show at the Yucca.


After the break, check out a stream of "The Girl Lights Up" from the new album and an e-mail Q&A with Laurenne about her cancer scare, the new album and Lien's return to the band.

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Bret Michaels Talks Boys & Girls Club, the Barrow Neurological Institute, Sharing a Stage with Motley Crüe and Rock of Love

Categories: Interview
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Nancy Mazzei
Bret Michaels is set to rock the Scottsdale waterfront this Friday in support of the Phoenix Children's Hospital and The Boy's & Girls Club of Scottsdale
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It's no real secret that I am a fan of Bret Michaels. I always had an appreciation for what he accomplished as the lead singer of hair metal band Poison back in the heyday of the Sunset Strip. I maintain that the rock/metal movement of the Sunset Strip in the 1980s is the one music scene I wish I could have been a part of -- I mean, can you imagine the people-watching back then? It's mind-boggling -- yet Michaels was the face of one of that scene's most beloved bands. Oh, to be there for of some of those parties.

I digress. Michaels re-upped his image in 2007 with his VH1 reality dating show Rock of Love, availing himself to a new, younger generation of fans -- myself included. The show was beyond a guilty pleasure for myself -- it was something I truly enjoyed watching, as "trashy" and whatever else others derogatorily deemed it to be. I saw the genius behind Bret Michaels truly come to light during the three seasons of Rock of Love.

When asked if I would want to do an interview with Bret Michaels in anticipation of his upcoming Friday night show at the Scottsdale Waterfront, I immediately jumped at the opportunity.

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