Through Success, Pains of Being Pure At Heart Still Yearns To Grow

Categories: Indie Rock

Shervin Lainez
The Pains of Being Pure at Heart

At first glance, the image appeared to be just another photo, the kind of day-to-day self-documenting that floods online interactions these days: A young man sitting on a chair holding a guitar against bare white walls. Around him are keyboards, amps, and other equipment. It could have been anyone: someone showing off their New York apartment; a music major posing in his first dorm room; a musician simply looking pensive in the studio. Looking a little closer, the caption explained it all. It was singer/guitarist Kip Berman from The Pains of Being Pure at Heart in a studio in London, and he was working on his band's next LP.

In this age of smartphones and social media, bands have to find innovative and clever ways to generate buzz. The New York-based band, who takes their name from a short story written by Berman's friend, embraced this and announced their newest album via Instagram.

"I wasn't intending on announcing it that way," remarks Berman.

Either way, the 10 tracks making up Days of Abandon officially make their way into the world on May 13, but those attending the band's show at the Crescent Ballroom on
May 10 will be among the first to hear the group's third album in a great live setting.

"[Playing the new songs] has been great," Berman beams. "We haven't toured in a couple of years."

Their latest effort is produced by engineer Andy Savours, whose credits include The Killers, PJ Harvey, and Goldfrapp. By bringing someone with Savours' credentials into the studio, it's clear that the band has made a deliberate departure from their 2009 full-length debut, which was acclaimed for being a welcome throwback to the noise pop of the early '90s, with earnest lyrics and awesome hooks.

See also: 6 Nu-metal Bands You Shouldn't Be Ashamed of Liking

"I don't know where the line between engineering and producing is but he's a really smart human being to hang out with for a month," Berman describes, "He added some peppiness and a lot of vocal elements with some great ideas for harmonies. It really feels playful and life-affirming in a really good way."

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