Bombino -- Musical Instrument Museum -- 4/12/2014

Categories: Last Night

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Glenn BurnSilver
Bombino, playing the Musical Instrument Museum on April 12

Omar "Bombino" Moctar is a Tuareg nomad from Agadez, Niger, and while his music is rooted in the deepest traditions of desert life, Bombino is also deeply indebted to the likes of Jimi Hendrix and Eric Clapton -- maybe even Jerry Garcia.

I went to the Musical Instrument Museum to see a this songwriter and immerse myself in his melodic, polyrhythm playing style I have come to know from other Tuareg musicians that is as deeply moving as it is hypnotic. A rock concert broke out instead. Not that I'm complaining -- and not that it wasn't entirely unexpected given that the Black Keys' Dan Auerbach played on and produced Bombino's current release, Nomad.


The show opened with an acoustic set that was indeed rhythmic, moving, passionate and sublime. Bombino's subtleties with his strumming hand -- a strange mixture of plucking, picking and slapping -- made it seem as if several guitarists were on stage at once, creating a dense layer of overlapping rhythms and textures supplemented by electric bass, djembe and calabash percussions. It was easy to close the eyes to feel the warm desert wind and relish in the slower rhythm of life that takes place in the Sahara, only to find that energy gradually build from light to dark, increasing in intensity as each song ended with a final flourish -- like the end of a chase.

In many ways this music functions like jazz -- separate the layers each player brings to the mix and no one seems to be operating on the same page. Each man has his own agenda. Yet, like jazz, it all comes together miraculously overall.

Bombino's acoustic set dug into the soul as he sang about his troubled homeland the persecution of his people, the tension ebbing and flowing. Then things got really wild.

The geopolitical nature of Bombino's songs didn't change, only the delivery did as a full drum kit replaced djembe and the calabash gave way to a second electric guitar and occasional harmonica solo. Bombino's eclectic playing style was even more dramatic on the electric as he shredded up and down the fretboard faster than a thrash metal guitarist on fire, adding a delightful layer of fuzz over an ever-thundering bass. Yet, despite the speed, the melodies remained strong, wistful and emotional, capturing the heart and soul the weaving, swaying and dancing Bombino put into each song.

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