Top 5 Must-See Phoenix Shows This Weekend
Move over, Gogol Bordello, a new "ethnic chaos" band is gathering the attention of American ears. Hailing from Ukraine, Kiev's DakhaBrakha offers a high level of musical and visual stimulation, turning a world-based palette of regional folk music into hypnotic, trance-inducing mystic revelations. The percussion-heavy quartet formed in 2004 at the Kyiv Center of Contemporary Art (DAKH) through avant-garde theater director Vladyslav Troitskiy, leading to ornate costumes featuring tall hats, long braids, and bangles extending to the colorfully patterned drums and instruments.
Intoxicating, yes, but it's the music -- the triple harmonies and cross-cut vocals of Iryna Kovalenko (djembe, bass drums, accordion, percussion, bugay, zgaleyka, piano), Olena Tsibulska (bass drums, percussion, garmoshka) and Nina Garenetska (cello, bass drum), bolstered by Marko Halanevych's impassioned singing with darbuka, tabla, didjeridoo, accordion, and trombone accompaniment -- that truly captivates.
DakhaBrakha means "give/take" in the old Ukrainian language, which also provides the act's lyrical base. A fitting name, as the music starts on a platform of traditional Ukrainian melodies before incorporating African, Asian, Eastern European and Middle Eastern aspects into the mix. Add creative usage of effects pedals, and the resulting juxtaposition of styles and textures proves that what was once old can thrive as something new, fresh, and moving. -- Glenn BurnSilver