Willie Nelson Remains the Culture's Favorite Counterculture Hero
Country music legend, activist, author, poet, actor--Willie Nelson fits into any one of these categories. He helped shape outlaw country towards the end of the 1960s, by bringing country artists who felt restricted by the Nashville sound together with "hippie" rock musicians, and his classic, low-key voice, timeless melodies, and ironic delivery branched him out even further to wide pop audiences.
David McClister Willie Nelson is your favorite outlaw grandpa.
Over the past five decades, he has respectfully bridged several artistic mediums, made even more impressive by the fact that he has also become the epitome of the "outlaw grandfather"--two characteristics that don't exactly go hand-in-hand. The major success of '70s records like Shotgun Willie, Red Headed Stranger, and Stardust made Nelson one of the most well-known country artists around. In the '80s his musical reputation broadened with singles like "Always on my Mind" and "On the Road Again"--songs that roll off the tongue even for those who think they don't know the words.
On the other hand, he's the perfect picture of the proverbial pothead.
Nelson adamantly supports the legalization of marijuana, and has periodically found himself in trouble with the tax collector; he released The IRS Tapes: Who'll Buy My Memories? as a double album with all profits earmarked for the federal government.
Put those two sides of his life together, and you can see how Willie Nelson has become a counterculture folk hero who's somehow a culture hero, too. Nelson is even more than just a musician that has bridge many mediums and released more than 100 albums and collaborations. He's pretty much the epitome of a musician's American Dream.
Born during the Great Depression and raised by his grandparents, Nelson was just seven years old when he wrote his first song. At age 10 he joined his first bands, playing guitar in German and Czech polka acts. Then he joined the air force, attended Baylor University, sold Bibles door-to-door, and taught Sunday school in Fort Worth. He also played honky-tonk clubs on the weekends, and when parishioners told him he needed to choose between church and music, well, we all know how that ended up.