Deafheaven and Marriages - Yucca Tap Room, Tempe - 6/19/2013
Last night, I came to the conclusion that Deafheaven is black metal's Vampire Weekend.
I've never thought up an uglier string of words to describe what is fundamentally a thing of beauty. To see Deafheaven is to not see a black metal band but to see black metal being curated by hardcore and indie types in the same way that Vampire Weekend is a bunch of indie dudes curating afro-pop.
This is not a cry of "posers!" by any means. People who look like regulars at Bay Area coffee shops have just as much of right to play music with blast beats and trebly, reverby riffs as any Scandinavian person wearing corpse paint. In fact, it's good that they try to have a go at it. Deafheaven establishes black metal's validity as a genre to a broad audience of people who wouldn't normally find themselves going out to see Mayhem when they roll into town.
It's a larger vehicle for the transmission of the genre, while at the same time not being a genre band. I've talked to some avid black metal fans that are put off by this aspect of the band -- that it is a band that doesn't fit every traditional idea of black metal still co-opts it.
However, in an age of terrible genre-throwback bands that seek legitimacy by authentically replicating some bygone era in music, I welcome Deafheaven's choice to not completely rip off a band like Darkthrone.
Singer George Clark's Ian-Curtis-turned-serial-killer appearance and jerky and vaguely sexual mannerisms while performing are endearing and the parts of the songs that involve shoegaze, post-rock, or hardcore elements are just as engaging as the overtly black metal parts.
It's music that is aware of its context and wears its musical heritage proudly while still trying to be forward thinking. Just as Ezra Koenig of Vampire Weekend does not pretend to have come up with the term kwassa-kwassa, Deafheaven guitarist Kerry McCoy isn't laying any claims on tremolo picking.
In both cases, the genres are sources of inspiration, different ways to think about crafting a sound. Seeing Deafheaven made me realize that black metal can be, above all else, very pretty and evocative music, and trying to implement that prettiness in a project that is outside of that scene can be wonderful when done right.