Top Five Must-See Shows This Week in Phoenix
When Swedish hard rock Norrsken disbanded in 2000, its principles both embarked on their own doom rock journeys: Guitarist Magnus Pelander formed Witchcraft, while vocalist Joakim Nilsson formed Graveyard.
Both outfits maintained Norrsken's dedication to Sabbath-indebted doom metal, but as time has gone on, both bands -- especially Graveyard -- have moved toward a beefy, melodic rock sound.
This isn't to say that either fits the "Nickelback" template -- far from it, but selections from Graveyard's latest, 2012's Lights Out, wouldn't sound entirely out of place following Three Doors Down, Saliva, or Shinedown on some modern rock radio station. Propulsive album opener "An Industry of Murder" coasts from a sinister, palm-muted verse to an wide-open chorus; "Slow Motion Countdown" grooves over soulful jazz and blues textures; album highlight "Endless Night" lifts the kickstand and rolls steadily toward boogie rawk glory.
Lights Out doesn't abandon Graveyard's classist leanings, but it does find the band folding in contemporary metal touches into its brawny crunch.
"I don't know why people are so hung up about us recording [using] analog [technology]," Nilsson says. "A lot of people do in all types of genres and all types of music. I don't think that has too much to do with it. We always say that in interviews --that we are inspired by old bands, old blues, hard rock and all of that stuff, so I guess that is where our roots are. That's our foundation, but we never tried to be a throwback band. We never wanted to sound exactly like the band's playing in the '70s. We always try to be as contemporary as we can. We're trying to write music for today, not to the kids in the '70s." - Jason P. Woodbury