Top Five Must-See Shows This Week
Wednesday, November 5: David Bazan @ Rhythm Room
His band, Pedro the Lion (of which Bazan was the sole consistent member) had a string of impressive releases to its name, including 1998's It's Hard to Find a Friend and 2000's Winners Never Quit, plus a couple of singles and EPs. The albums were greeted with enthusiasm by the alternative music press, praising the band's taut "slowcore" indie rock style. Bazan was lauded as a gifted lyricist, stringing together Biblical morality plays, remarkable human drama, Doubting Thomas confessionals, and haunting devotionals. You didn't have to be a Christian rock fan to like Pedro the Lion; the band recorded for a secular label (Jade Tree) and played with secular bands.
But for Christian fans, Bazan was a rare kind of songwriter. He was honest, and he created music that didn't pander. It was resolute, but it wasn't rigid.
But with his 2002 record, Control, Bazan's music got even harder to classify as "Christian rock," if it had ever been before. It wasn't that Bazan's music had previously been "clean" by morality-police standards (his songs included references to both sex and drugs), but Control was something else. It was louder, with Pinkerton-as-played-by Fugazi guitars and booming drums. There were swear words and, cardinally, the record was a scathing indictment of the religious right in the Bush era. Which wasn't exactly Bazan's plan.--Jason Woodbury