Serene Dominic Hits

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In this week's issue of Phoenix New Times, writer and musician Serene Dominic details the reality TV-style site, which features bands recording tracks in realtime. Here, he dives into the studio, and journals the process for Up on the Sun.

I will admit to being somewhat skeptical about submitting myself to's method of recording a satisfactory track in three hours, all the while being videotaped and streamed on the Internet. I didn't have any qualms about the studio (I'd recorded at Chaton once before) or OttoD'Agnolo's abilities as a producer/engineer (I know him and I share the same sort of pop sensibilities).

See also: Remakes the Music Biz

Being naturally self-involved, I was worried about me. Like a guy who has worked out of his home for so long, reintegrating me in a professional recording environment could prove troublesome. "Doesn't work well with others" is the phrase that most readily comes to mind.

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I'm used to doing all my own bass and guitar tracks, picking an already dynamite sounding drum sample to do what I want and then working on tracks over a short period of time where I'd have multiple tries to get it right.

Also troublesome was the worry of having to rely on other players. I asked the guys from M.B.E. (Mutant Beat Expo, an early Beatles cover band) to play on the session since I know them, they show up at the gigs we book and we've played the song we were set to record numerous times. You might think having a band that knows the complete early Beatles catalog would give you a great musical vocabulary to draw from but just try to get a bunch of guys accustomed to playing every great Lennon & McCartney song to learn one of your originals and you quickly realize what George Harrison felt like trying to squeeze one of his songs in a recording date. You run down too many chord changes and eyes glaze over as if you're giving someone too much homework over the weekend.

To combat this, I chose a relatively easy song "Unfriend Me" over the more difficult one I'd wanted to cut because the band already knew that one. Of the few originals we managed to sneak in at MBE gigs, that one we had down cold. And when our guitarist didn't make the session, it wasn't such a struggle for me to lay down a solo. I only play one of two solos and luckily that was one of them.

5:00 PM We show up two hours before the start of the session to set up. I bring a long a banjo, an acoustic and electric Epiphone, and a toy piano just in case it's needed. Our drummer Nick Pasco gets some great sounds almost immediately. We do a few run-throughs so that when 7 o'clock rolls around we'll be well and sick of the song.

7:00 PM: We're streaming live performing with no bass for the cameras. I know you kids like bands with no bass but bass is the glue that holds everything together IMHO. Sorry. It's just how I feel. Our bassist Pat Singleton had enrolled in college courses and that night was his first one. He said he'd be here in the last hour of the session. And I believe him. Great, I thought. This would be the built in "drama" that we would need for a reality show. Will he make it? Won't he make it? Will I get to fire him on air like Donald Trump with better hair?

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