Throwback Thursday: Were The Smashing Pumpkins Generation X's Pink Floyd?

The current Smashing Pumpkins roster.

The Smashing Pumpkins have had a checkered past swirling with drug addiction, depression, lineup changes, and death. Yet the band has soldiered on -- remarkably, the band is set to release its seventh album, Oceania, on June 19. Billy Corgan is the only remaining member in a band that oscillated between shoegaze, grunge, alternative, electronica, heavy metal, and everything in between, now supposedly flirting with psychedelia.

Yet through all of the weirdness and animosity, Smashing Pumpkins are one of the greatest bands of the '90s, the band that charmed us with "1979," when Corgan still had hair and pushed the boundaries of rock radio with electronica-tinged goth pop and industrial machinery.

There were problems from the start. Jimmy Chamberlain replaced a drum machine so the band could play its first show at The Metro in Chicago. The tensions within the band rose during the recording of Siamese Dream, when James Iha and D'Arcy Wretzky broke up their relationship, Chamberlain developed a heroin addiction, and Corgan battled with depression. His suicidal thoughts inspired a seminal Smashing Pumpkins song:

Look out for great comments like: "i always thought when i was young everyone acted like a retard in this video. now 18 years later i know that everyone is on sooooo much drugs." YouTube, you're so smart!

But there's no arguing that the band was wacked out. The following album was supposed to be The Wall for Generation X, a hefty aspiration, for sure. But Mellon Collie and the Infinite Sadness was indeed the band's greatest work. It may not be as trippy as Pink Floyd's material, but the album does contain hits like "1979," "Tonight, Tonight," "Zero," and "Bullet With Butterfly Wings."

This is also when Smashing Pumpkins began to get noticed for its music videos. The best example is probably "Tonight, Tonight", which includes a zeppelin, an octopus, and peppers in a few references to Georges Méliès' classic short, A Trip to the Moon.

The production ran into some difficulties because James Cameron had rented out most period costumes to film Titanic.

During the Mellon Collie tour, Chamberlain and keyboardist Jonathan Melvoin both overdosed on heroin. Melvoin died and Chamberlain was kicked out of the band, once again being replaced by a drum machine.

Mellon Collie was the last of the "classic" Pumpkins sound. Iha claimed electronic music was the future and Corgan was once again depressed thanks to a divorce and his mother's death. Things got pretty weird and heavy -- Corgan started dressing like Uncle Fester and songs like "Ava Adore" sounded like they were guest-produced by Trent Reznor.

D'Arcy left the band and the two Machina albums came next. The first produced some solid songs- "Stand Inside Your Love" and "The Everlasting Gaze," but did not do well with the fans. The Pumpkins called it quits and Zwan happened for a few years.

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Matthias the Prompt
Matthias the Prompt

No.  Also, no.  There is only one Pink Floyd and the closest thing generation X had to them was probably Queensryche.  Metallica is our Black Sabbath though.


Another horrible article on music by the New Times. Where is the comparison? There's lots of references to the Pumpkins drug problems, but the members of Pink Floyd (sans Sid Barret) NEVER did any drugs. There's no real connection between the two bands whatsoever and the author does very little to make a connection. This article is POINTLESS. This rag needs a new music editor and needs to stop using these ASU grads as columnists. 


no. no. no. no. no. no and no. Tool is a closer comparison to Pink Floyd.

Phoenix New Times
Phoenix New Times

Always felt like Tool was closer to prog-metally stuff like King Crimson...

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