The setup: Many of the best off-Broadway theaters are clubs of a kind: like-minded artists who've come together to form a company that produces the kind of work they value, to joyfully challenge their skills, to share the results with audiences in a meaningful way. If you've spent years doing and/or watching theater in the Phoenix area, it's natural to be suspicious of any arts enterprise that people purchase memberships or pay dues or fees to participate in (especially if you've been a child actor or stage parent), but exploitation is not the nature of Theatre Artists Studio -- it's more New York-style in its mission and operations -- and its members' devotion is what makes the shows so darn good. The directors cast the member actors quite a bit; that's part of the point. But the company also works routinely with theater artists who aren't members, and the cross-pollination is good for everybody.
Mark Gluckman From left, Dee Rich and Maureen Dias pause between past and future in And Miss Reardon Drinks a Little.
The Studio also brings us interesting plays we don't get to see often, and its current offering, And Miss Reardon Drinks a Little, presented here as a longish one-act, is the second best-known play by Paul Zindel, who won a Pulitzer for The Effect of Gamma Rays on Man-in-the-Moon Marigolds. The man sure could write a quirky, memorable title. Zindel, raised by hardworking women after his father left the family, also had a firm grasp on the pain, humor, and absurdity of female-led families (and human behavior in general) and the way that intimate, complex conflicts play out.More »