Rapture, Blister, Burn at Theatre Artists Studio in Scottsdale: A Hard-Earned Lesson in Modern Feminism
Mark Gluckman Debra Rich and Alexandra Uptadel in Rapture, Blister, Burn.
A few weeks ago, I had the pleasure of interviewing two-time Pulitzer Prize in Drama finalist Gina Gionfriddo. Her most recent work, Rapture, Blister, Burn has been hailed as a great feminist play. Much of our conversation revolved around where the idea for the show came from and what message she was trying to convey. Without having seen the play, I got the sense from speaking with Gionfriddo that this play was about shifting ideologies -- not just how the goals of the feminist movement have evolved over the past few decades to meet the changing needs of women in our culture, but also how a woman's understanding of and need for feminism can shift throughout her individual lifespan. (Please note: I use the term "women" here in reference to the female characters in the play. Feminism is beneficial to all people, regardless of gender.)
Rapture, Blister, Burn recently opened at Theatre Artist's Studio in Scottsdale. The work itself, and this performance of it, were admittedly underwhelming in some minor regards. The plot was a bit contrived, the characters a little disproportionate to the space. Despite these shortcomings, I walked away from the play unable to stop thinking about the themes and theories discussed therein -- which clearly need to be thought and talked about.