Dames at Sea (Okay, Across from the Water Tower) at Gilbert's Hale Centre Theatre Will Shuffle Its Way Into Your Heart
The setup: Before sometime in the 1940s, American musical theater consisted of just a buttload of singing and dancing, reasons to look at women's exposed legs, and no particular attempt at character or storytelling. During the Great Depression, movies were an affordable, diverting novelty, and the more implausibly cheerful and uplifting the plots, the better we liked them. So the Busby Berkeley style of extravaganza (which did add a tiny bit of narrative, conveniently about show business, generally) filled the silver screen like implausible giant cupcakes in a glass case.
Sam Miller Not just Dames at Sea, but sailors, too! Yum. Kate E. Cook leads Vinny Chavez (left) and Julian Peña back to good times, while Emily Giauque Evans has their six and Tedd Glazebrook (right foreground) remains doubtful.
Flash forward to the mid-1960s in Manhattan. Rodgers and Hammerstein have changed everything. Fiddler on the Roof is somewhere in the middle of what will be its first 3,242 performances. We're mere months or a couple of years out from shows like Hair, Jesus Christ Superstar, and Oh! Calcutta! Counterculture sentiment and avant-garde expression are erupting everywhere. But a team of spunky troupers in a Greenwich Village club put together a literally cheap, six-person parody of those '30s tuners called Dames at Sea. It starred newcomer Bernadette Peters, it became a bona fide off-Broadway hit, and you can see it now at Hale Centre Theatre on Mondays and Tuesdays only -- not your usual theater nights.More »