Artist Kathleen Engstrom Pulls Her Art from the Streets
Best of Phoenix hit newsstands Sept. 26. In conjunction with this year's Vintage Phoenix theme, New Times is collaborating with R. Pela Contemporary Art to present "Hot Plate!" It's an exhibition of one-of-a-kind, Phoenix-inspired commemorative plates made by local artists. Leading up to the show's Oct. 4 opening, we're profiling each of the contributing artists and visiting their studios. Today: Kathleen Engstrom.
Katie Walter Artist Kathleen Engstrom
Artist Kathleen Engstrom likes taking her art from the streets. While walking her dog, Engstrom will pick up little pieces of such discarded items as metal scraps or glass shards that, she says, retain the energy of society but need a discerning eye to bring out the beauty.
Though Engstrom pulls from the outside world to create her sculptures, she says that when she looks around her studio, she realizes that she has created a personal diary of sorts with her art.
Engstrom's art usually stems from an emotional reaction she has to either the materials with which she is working or what is happening around her. She says that by allowing her work to show her vulnerable side, she hopes others will be able to find pieces of themselves as well.
Katie Walter Engstrom's studio
What's your earliest memory of Phoenix?
In 1998, we arrived by plane on our first visit to Phoenix. We rented a car at the airport and had just entered Highway 60, heading to Apache Junction to visit relatives. Out of nowhere a police car pulled up close and tight on our rear bumper. We moved over to the right thinking he wanted to pass. When the officer pulled alongside us, we realized he was screaming... "Get the Fuck Outta Here!!"