Ceramic Artist Wayne Higby to Speak at ASU Art Museum About New Exhibition Infinite Place
In the ceramics world, Wayne Higby is widely considered one of the most important artists of the past 50 years. But he doesn't let it go to his head. When asked what he thinks about his place in the history of art, he laughs, saying in many ways he still feels like a child sticking his finger into a ball of clay.
Photo credit: Brian Oglesbee Wayne Higby with Pictorial Lake, 1986 Glazed earthenware, raku-fired 13 x 34 x 9 in. Collection: Sarah H. Morabito
Infinite Place: The Ceramic Art of Wayne Higby, curated by Peter Held, is opening this weekend at ASU Art Museum, and on Saturday at 1 p.m., Higby will give a lecture on his work that is free and open to the public.
- Clare Patey and Matthew Moore Explore Copper Politics, Artwork, and Identity at ASU Art Museum
- The Sky Is Falling: A Group Exhibition about the Gravity of Things Opens This Friday at Modified Arts
ASU's Curator of Ceramics, Peter Held, says he first met Higby at a workshop when he was an undergraduate in college. About three years ago, he began working on Infinite Place, which is the first major retrospective exhibition of Higby's work.
Photo credit: Artist's archive Wayne Higby raku firing, 1966 Graduate studies at the University of Michigan, Ann Arbor.
When asked about having his first retrospective, Higby says, "it's sort of like I'm standing in a mirrored box; I can just see myself all around." But he also talks about seeing the continuities over time, even though he hasn't seen some of the pieces for 40 years or more.
The pieces themselves are a survey of both ceramic objects and drawings by the artist, that track form and technique over time. Higby admits the influence of landscape and memory in his pieces, but he also says that his work is meant to be a vehicle for imagination. He adds that if he could have one superpower it would be that of unlimited imagination