Carol Panaro-Smith and James Hajicek's Arc of Departure
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| Carol Panaro-Smith and James Hajicek |
James (Hajicek) and I are probably the only Arizonians that pray for 115 plus degree weather. We only make photogenic drawings on the hottest days of the year. The combination of heat and cloudless skies produce some of the most spectacular colors.
Our process is simple-take fresh botanicals, coat paper with a solution of salt and silver, place the botanical in contact with the paper, place glass over it and expose the light sensitive paper in the direct sun for 4 to 24 hours. The plant makes an image of itself, no camera or film needed.
99: Jon Ashcroft's Suspended in Geography
98: William LeGoullon's Table
97. Jason Hill's Phoenix Financial Center
95: Allison Elliott's Walls of Downtown Phoenix
94. Fausto Fernandez's Grid City
93. Chikara Kakizawa's Ship Out of Water
92: Dayvid LeMmon's Process / Gentrification
88. Sean Deckert's Ginae vs. the 12th Street Gang
87. Pete Petrisko's Admiral of Phoenix
86. Quincy Ross' Lone Skyscraper
85. Andrew Armstrong's Illustrated Cityscape
84. Thomas Schultz's Phoenix Artifact
83. Adrian Lesoing's N. Evergreen
82. Suzanne Falk's Kon Tiki Hotel
81. Lindz Lew's Bon Voyeur
80. Kevin Patterson's Phoenix Swamp Beast
79. Ramy Sidarous' Three Windows
78. Will Mejia's Orpheum Theatre
77. Steve Weiss' Portrait of Louis Lee
76. Larry Willis' Apparition on East McDowell
75. Claire Warden's Untitled No. 3
74. Randy Zucker's Dancing Saguaro
73. Robert Brandan Martinez's Medical Cannabis Tax Stamp
72. Edward Jensen's Phoenix Financial Center70. Mark Dudlik's Phoenix Rebound66. Eric Iwersen's The Saguaros Have Been Here the Longest
Have a suggestion for a Phoenix icon by a local creative? Leave it in the comments section or email Claire.Lawton@newtimes.com
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