The Glendale Bead Museum Closes in March ... Now Let's Save the Beads
|Courtesy of the Glendale Bead Museum|
On March 12, in less than two weeks, The Bead Museum in Glendale will close. Being a lover of culture, as well as beads and jewelry for art's sake, I am devastated by the loss of this historic collection and its research library to Valley residents, tourists and scholars.
Not just personal adornment for the sake of vanity or beautification, beads are one of the most primordial forms of art in the universe. They tell stories about every aspect of every culture in history: a wearer's social status at a particular time, religious beliefs, commercial trade, respect for tradition and sense of aesthetics. Beads are magical and have long been used as amulets for good luck and protection against evil forces.
What will happen to the collection and library is up in the air at the moment. I'm rooting for either the Phoenix Art Museum or ASU Art Museum's Ceramics Research Center to become the new repository for this critically important mass of cultural history.
|Courtesy of the Bead Museum|
|"Eye of Horus" faience bead from Egypt, New Kingdom 1540-1075 BCE.|
Or ... what about the Ceramics Research Center at ASU Art Museum? Many beads, both early and contemporary, were fashioned from clay, a medium to which the CRC has dedicated itself without reservation. Plus the university is a research institute and would be a supremely logical place for the collection and library.
Or ... and this is most likely a pipe dream, the best scenario might be to procure a compassionate and impassioned donor to set up an endowment fund.
If you're interested in seeing The Bead Museum become a part of either Phoenix Art Museum or ASU Art Museum, here's the 411 on the people you should lobby: James Ballinger, Phoenix Art Museum Director and Dennita Sewell, Curator of Fashion Design or Gordon Knox, ASU Art Museum Director, and Peter Held, curator at ASU Art Museum's Ceramics Research Center.
Kathleen Vanesian is New Time's art critic. To read more of her work, click here.